The three members - Penelope Lowenstein, Gigi Reece and Nora Cheng - were all friends during high school who bonded over their mutual obsessions with Pavement, Sonic Youth and other groups from the ’80s and ’90s alternative rock scene.Īfter initial singles “Ballroom Dance Scene” and “Forecast,” it wasn’t long until the band was selling out those same venues they had attended as fans just a couple years prior. Horsegirl at SummerFest (weekends in June and July)īackground The young trio of Chicago rockers made a big splash with the debut album “Versions of Modern Performance,” which was released in June of last year. A summer tour will follow for I.N.K but dates have not yet been announced.
Where to see him AUSAR will be performing on June 25 at Summer Smash Festival in Bridgeview. On his forthcoming album “I.N.K (I Now Know),” Bradley said he gets personal in a way he hasn’t on previous records. A skilled wordsmith with a keen sense of flow and rhythm, he demonstrates this mastery well with the catchy chorus of his most recent single “DON’T DATE RAPPERS” and its seamless shifts in cadence from stanza to stanza. The sound: AUSAR has regularly released singles and EPs for the last six years, and his 2020 EP “Flight of the Honeybee” earned critical acclaim. Now I think there is a lot more respect for it.”’ “Until they saw the material results like me working with Wyclef Jean. “Not a single person was happy about that announcement,” he recalled. Initially, he said, his choice to become a rapper was not met with enthusiasm from his family. AUSAR at Summer Smash (June 23-25)īackground: Ausar Bradley, who uses the stage name AUSAR, wasn’t allowed to listen to rap in his childhood house in South Shore - only gospel music - but that didn’t stop him from steeping himself in Chicago artists like Ye (formerly known as Kanye West), Rhymefest and Common. You can also catch her on July 13 at Cobra Lounge (235 N. Where to see her: La Morena will perform June 25 at Logan Square Arts Festival. Contrast that with a romantic ballad such as “Amarres” or the classic R&B “In Luv With U,” both of which showcase the artist’s ability to channel profound feeling in her singing. One could easily hear “Sagitario” in the club with its KAYTRANADA-esque production stylings that mesh wonderfully with her breezy vocal performance. La Morena also demonstrates an impressive musical range. “I love that I have a bigger vocabulary and can use slang in both languages. Frequently you’ll hear La Morena flipping between English and Spanish in her lyrics. The sound: La Morena has been releasing singles that bring together reggaeton, latin, R&B and electro-pop. She would go on to pursue music at Columbia College.
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Those textures add a modern flavor to the quartet and accentuates the album’s pop elements.īackground: “My mom was a teacher,” La Morena recalled, “so I would go into the music room after school, not knowing how to play piano or anything, but would just be hitting random things and singing little melodies to myself,” she said.
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An example is “New Mexican Hash,” in which keyboardist Julius Tucker sets the melodic line with a synth patch reminiscent of something off an early James Blake record. What also makes Bruno’s compositions stand out is his use of synths alongside electric piano.
On “Feelings (Outro),” the music builds to crescendos of emotion as drummer James Russell Sims pushes the pace. On the opening track “Hang Glide,” bassist Andrew Vogt lays down a fat and funky groove that swings with Bruno’s woozy sax. The sound: Bruno’s new album has its reflective and mournful moments, but it does not lack energy. He eventually settled on saxophone as his primary instrument toward the end of high school and made his turn to jazz composition. I was going to Warped Tour, I was seeing bands like NoFX, Alkaline Trio and Less Than Jake,” he said. While many of his contemporaries talk about seeing some of the jazz greats growing up, the Elk Grove Village-raised Bruno was on a different wavelength. Background: Bruno’s recent self-titled album is an introspective, R&B-tinged jazz record, but this saxophonist and composer’s musical origins could not be more different.
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